
Sometimes, not knowing what you're going to get isn't such a good thing
Photo by Steffen. (License: Creative Commons Attribution)
The debate over the randomness (or otherwise) of iPod's shuffle underlines how the evolving technology of music has changed the way we appreciate the art.
I'm a child of the early seventies, so my music collection spans several media - first cassette tape (now almost all gone, thank goodness), then vinyl (which I still have, with a new turntable to play them and rip them to MP3), then CD and now digital download.
So my first appreciation of albums was as objects that had songs in order, spread across two sides. Often I'd listen to one side several times, waiting until I really got the songs, before flipping the record over and trying the second side.
And artists knew there were sides - some overtly flagged this (Joe Jackson's 'Night and Day' has a day side and a night side) but everyone had to make sure the songs flowed well, and that there was a killer track to start side 2. It wasn't just a random bunch of songs they happened to put out at the same time, an album was a single piece of work in itself.
When the CD came along, there were grumblings that the perfection of it would somehow neuter the music (and there are plenty of audiophiles who still think that), but for me, it was the loss of sides that hurt.
Ten songs or more, all in a line? It was too much to get your ears or head around in one go.
But I got used to it, and CDs preserved the same crucial quality that all media had to that point - a narrative. Albums have a linear quality - a beginning, middle and end (mostly in that order).
Of course CDs made it much easier to jump straight to the track you wanted, but by and large you still listened in sequence. When one track finished, you'd start hearing the opening bars of the next track in your head, even before they started for real.
Now I've got almost all my albums on my iPod and on my computer, and a lot of the time, I shuffle them (either across the whole collection, or within a genre or playlist). It's like having a radio station that only plays songs I like, and the anticipation of the next track is beguiling.
But too often I skip a track after the first minute or so, thinking the next one will be better, and I've now come to see that's while the shuffling is cool, it's missing something.
There's no context for the songs - a human element that created the narrative in which they were arranged on the album. Of course, I can choose to play just the whole ex-CD at a time, but the questions over whether shuffling really is random points to the problem - we actually want there to be some order to the tracks.
There's a good side to this, of course. If you carefully plan a playlist that has a story to it and tracks chosen with thought, then you can create something new and unique to you.
But if the idea of the album is on the way out, all we're left with is a pool of invividual tracks, then we've lost something important about how music works and how we relate to it.
- Originally published on the Moore Consulting Tech Blog
Great article. I feel the same way. Every once in a while, I'll listen to my music on shuffle, but most of the time I listen an album at a time. It just seems so ADD and hard to concentrate on when it's on shuffle! The musical styles, themes, and voices all jumping around and getting mixed up. I do appreciate albums.
An excellent set of observations.
I've just recently gotten back into the habit (lost when I first started ripping CDs) of listening to albums in sequence. However, I still use shuffle most of the time (like right now, actually). I enjoy iTunes's "Party Shuffle" feature because it enhances that "personal radio station" idea by playing my favorite songs more often (yes, I have all of my songs rated).
The reason I won't go back to listening to albums straight through all the time is the same reason why I used to listen to the radio when I only had CDs--there are some songs that I like a lot whose albums I don't care for.
I do understand the need for a story sometimes, and that's when I go back to albums every once in a while. Before I got my iPod, I would make my own mixes, and I did recognize a need for a story there. I spent hours deliberating over the order of a playlist before burning it. Now... Now, I'm just lazy. And Party Shuffle ain't half-bad most of the time.
I often listen to an album all the way through when I first rip it - especially if it's new (or something I haven't heard for a long time and pounced upon when I saw it)
It enables me to judge (for myself) the quality of that body of work.
90% of the time I have party shuffle set to "never played" or "least played" I like the fact that I rarely hear the same song twice unless I choose to....which is why I stopped listening to the radio years ago (I hate the repetition!)
Your write-up on the "inhuman shuffle" really hit home with me--my iPod is really stuffed with songs, and most of them weren't meant to be singles. I am a modern-woman-on-the-go-in-the-fast-lane and I can't always be bothered to pick something I really want to listen to, so Shuffle Songs is probably my most frequent click. And I hate that.
You may be pleased to know that there is a thriving vinyl community here in the US and abroad. I haven't bought a CD, basically, since high school. Between the iPod and the turntable, I find all my music listening needs are basically met. Plus...you know...they can't press security protocols on wax. This comforts me.
By the way, isn't it bad for the record if you play a single side repeatedly? Tsk tsk.
I really enjoyed your post David and I can totally relate. Just as video killed the radio star, Ipod killed the album. But one thing to keep in mind is that when mp3 players were first introduced albums especially those by popular musicians were already dead in that they no longer really had that common narrative thread like the albums of yesteryear (btw one of my favourite albums from start to finish is Neil Young's After the Goldrush-not a dud on there and the order is perfect too) and instead contained a hit or two surrounded by filler which is why the Ipod came at the perfect time b/c you could listen to the two songs and dump the dredge that surrounded them and couple these songs with others to create mega albums to suit your tastes, moods etc.
Yeah, Mike, I often wonder if the iPod didn't arise out of the degradation in the quality of pop music in the last 15 years. I mean, really, even people who listen to the Top 40 can't stand listening to the whole album a lot of the time.
Good article David. The album isn't totally dead - you really can't listen to much Classical Music out of order and still get the musical sense out of it, but perhaps there aren't many pop/rock/etc artists that are actually making albums that actually need to be in an order. The new media types have made music collections more flexible, and I like that.
Oddly enough, I still listen to entire albums, in order, on my iRiver. I often think that it wouldn't matter if I just shuffled that album and listened to them in a random order.
Albums were always a nuisance anyway. It was always distressing to spend 18 bucks only to listen to 5 good songs out of 10. We were subsidising crap.
Rest in Pieces, Albums.
In many ways, we've just circled around to where we were prior to the mid 60s. Prior to then, albums were very much secondary to the singles. They were often nothing more than a collection of a few singles and whatever other crap was laying around. It really wasn't until somewhere around Rubber Soul that anyone really thought much about the album as a coheisive, narrative entitiy.
Of course, in the 70s everybody and their brother had a "concept album" and every song would go on for 37 minutes, so the single was in a bit of a bind.
So if the renewed interest in the single forces bands to create catchy memorable songs again, rather than prolonged interludes of self-absorbed wankery, I say good.
Good article, David.
Apart from the concept album, there was little continuity or narrative anyway. A lot of albums were just relatively random collections, whose order was often determined by the imperatives of running times as much as anything else (i.e. you had to balance the running time over two sides, despite any artistic considerations)
We only became used to the particular track order because it was inconvenient to play it any other way. (I suspect that much of the continuity was constructed by the listener, much of the time anyway)
Pre-vinyl (i.e. in the gramophone era) albums were boxed collections of discs/cylinders: if you wanted to hear the album in the prescribed order, you had to play each disc in turn, flipping sides and swapping discs.
I can imagine someone used to that format decrying the rise of the vinyl LP record.
In fairness, it was probably easier to play your favourite tracks with the collection of discs format, than it was with the LP.
'Great' (here defined as start to finish brilliance) albums were always something of a rarity: great albums with a sense of continuity or narrative even more so. Even then, we would often settle on favorite tracks (which we'd often assemble by taping them into compilations).
I still tend to buy albums in the digital era, the only exceptions being the odd track I like on an album that is mediocre or worse (there have always been one hit wonders since the first recordings were made): in the old days, I probably would have bought the single, or settled for a tape from someone I knew who had the album. Or not bought it at all.
I think the new technology has just presented us with more options.
As a former radio broadcaster/DJ I find the shuffle endlessly fascinating... the 'random' juxtaposition often works for me better than some of the most thoughtful programming I have ever heard. The randomness has given me a lot of ideas about the most unlikely segues that - despite all expectations - actually work. Sometimes it's as if you're getting a narrative from the random shuffle....
Sometimes it's as if you're getting a narrative from the random shuffle....
You mean like having "Get Me To The Church" followed by "Who's Sorry Now"?
uuhhh..........yeah? ;-)
So true. Albums are made that way because that's how the artist wanted the music to be listened to, and to mix and match the songs takes something away from the listening experience. I only download albums, and listen to them, for the most part, straight through whenever possible.
I felt the same way, feeling bad that I had missed out on real albums... but I realized that most modern music is shrouded in so much metaphor. Marilyn Manson, Basement Jaxx, CKY, even kinda 'emo' stuff like Alexisonfire... they have made a mish-mash of the album algorithm by being so abstract, making songs easily dropped at a whim for radio while the entire album makes sense as an entire whole.(It's just not obvious)
Though as a whole(especially on the pop side of music, though nothing has changed there over time,) I agree that the album is a dying art... mostly because the consumers of my age don't want it. So they don't really read into it. =/
Personally, I make my own compilations... taking the meanings of each song and stringing them together to create a new album. It takes time but when you're finished you have a set that you can listen to over and over again!
Ahhh...but iTunes 7 has *revived* the album. You can now specify certain songs to always be played together, as part of the complete album, and always in the correct album order. (You can also do just a subset, so if two songs in particular really belong together, you can tie those two together.)
you could tie tracks together with earlier version of itunes too.
I think the cover interface reinforces the album concept somewhat, however
Yes, but not gapless...guess I forgot to mention that important detail ;)
Very important for albums such as Dark Side of the Moon...
My husband and I still buy albums, some things just sound more like they are supposed to before they are "digitally remastered". There is some real good music that I would rather listen to on vinyl. For example, Robin Trower , Bridge of Sighs, is definitely better on vinyl.
I just about never use shuffle unless its on a playlist. I always listen to albums. The main problem I have is there are so many there are not good albums. They are few good sounds and the rest are fluff if not worse.
I like albums that fit as a whole and flow together well. Extreme's 3 Sides to Every Story, Flaming Lips Yoshimee Battles the Pink Robots, Dark side of the moon, etc.
I still buy albums on CD, but I do rip them onto my computer. It saves walking to the CD rack. Shuffle also means I hear music that I might otherwise forget I had.
One thing digital music really lacks for me is that idea of buying something solid. I love all the little books and stuff you get with CDs.
The little pamphlets that come with CD's are very informative and entertaining sometimes, but some of the album covers are definitely art. And more often than not the musician had a hand in the design of the album cover, of late most musicians hire someone to make those choices and the just give a nod of approval. I miss album covers. I do think that the full size books that come with a CD boxed set are fantastic and full of worthwhile reading.
I love the art too. A dream job would be designing album covers.
I'm really pleased that the new version of I-tunes shows the album cover in a duke box like view. Hopefully cover art will survive the digital age. It may even get better.
maybe we'll start getting 'track' art (i.e. an image unique to the track you are listening to)...
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